Every brand in your workspace gets its own link page, at a short address served by this marketing site rather than by the app. Inside go the links with their icons, the row of profiles, a video or an album, and one of sixteen templates. Every visit and every click is counted from day one.
One page per brand, living outside the app
The unit here is not the account and not the person: it is the brand. Run four brands in one workspace and you get four independent pages, with their own links, their own colors and their own numbers, never mixed. For an agency that means one page per client without opening a separate product; for a creator with three projects, three identities that do not tread on each other.
The address is gofeedapp.com/t/ plus a six character code, and the detail that matters is
who serves it. Not the app: the public site does, the same one you are reading now. That
decision has three practical consequences. The page loads with no session and no
intermediate redirects, search engines see it as an ordinary page, and it is the one
surface in the whole product that wants to be indexed. Everything else, the workspace,
the quote and brief share links, refuses flatly.
It is not cached either, on purpose. When you hit publish the change is live on the next visit, and a link scheduled to appear today appears on the first read after that moment. It is less efficient and it avoids the worst conversation in this category, which is explaining to somebody why their change is still not showing.
What the page does not solve is the line of profile text that leads to it, and that line is half the job. If you are stuck on what to write there, the bio checker measures it against each network's limit and tells you what gets cut off.
What goes inside
A link on this page is more than a URL with a name over it, and the pieces are worth knowing before you assemble anything, because the difference between a page that converts and a list of links is almost entirely hierarchy.
| Element | What you can set |
|---|---|
| Link | An icon, the title and one line of description underneath |
| Featured link | One of them rises to the top and looks different from the rest |
| Date window | A link appears and disappears on its own between the two dates you give it |
| Profile row | The brand social profiles, as a row of icons above the links |
| Video and music | A YouTube video or a Spotify album plays inside the page itself |
| Template | Sixteen of them, with the heading typeface and the button shape to choose |
| Indexing | A switch keeps the page out of search engines when you do not want it there |
The theme is not invented from scratch each time: the page inherits the one the rest of the workspace already wears, so an agency with its palette set does not choose it again here. And the description under each link, which looks like a minor field, is what separates "Shop" from "Shop, next day delivery across mainland Spain". People do not tap labels, they tap promises.
If you are arriving from another tool in this category and want the contrast with more names on the table, it is in the Linktree alternatives round up.
The date window is the feature nobody asks for
Of everything in that table, the one that actually changes a routine is the least photogenic. Each link can carry two dates, and between them it appears while outside them it does not exist. It sounds like a calendar footnote and it is really the difference between remembering and not remembering.
The obvious case is a launch. Enrolment opens on the 12th and closes on the 26th, so you set the link up on the 3rd with its two dates and forget about it. On the 12th it is at the top of the page without anybody logging in to put it there, and on the 27th it is gone, which is the half that normally fails: everyone remembers to publish and nobody remembers to take down. A page carrying a link to an event that happened two months ago costs credibility in the first glance.
The second case is seasonal and gets built once a year. The Christmas menu, the summer opening hours, the sale campaign: written out with their windows, and the page tidies itself while you work on something else.
What gets measured, and since when
Two things are counted: page visits and clicks per link. Between them they answer the only question that matters here, which is not how many people came by but which link took the attention, because that is what sets next week's running order.
There is one architectural detail worth knowing because it is money: the rows are stored from day one whether you hold Pro or not. What the Pro version opens up is the day by day detail, not the collection. So switching it on in March draws the chart backwards to January, and nobody loses a history for not having bought in time. It is the opposite of what most of the market does, where the data starts on the day you pay.
The page's numbers sit alongside the brand's other networks, so a click on a link and the reach of the post that pushed it are read in the same place in the same week. How the page gets built, screen by screen, is on the Bio page.
Two warnings about reading those numbers, because both get misread just as often. The first is that a visit is not a person: somebody who opens the page on Monday and comes back on Thursday is two visits, and adding up a month of days will always produce a bigger figure than the number of humans who passed through. The second is that a link's click rate only means something against itself. Four per cent is good or bad depending on what that same link did last week in the same position, not against any industry average, because position matters more than content here.
Everything in this article happens in one place in GoFeed.
Try it freeWhat Bio Pro buys, and what it does not
Three things exactly, and they are worth listing because the name invites people to imagine more.
- It removes the GoFeed mark from the page, which the included tier leaves in place.
- It opens the daily detail of visits and clicks, over rows that were already stored.
- It lets you choose the address, a code of your own between three and thirty characters instead of the one generated for you.
And now what it does not buy, which is where people get confused: Bio Pro does not put the page on your own domain. That is the Custom domain add-on, sold separately, and it also puts your name on the portal, on the emails and on the documents; it is covered in white label branding. Choosing your code and choosing your domain are two different purchases, and launch day is a bad time to find that out.
Two honest notes on point three. Changing the code breaks nothing: the old address redirects permanently to the new one, and a retired code is never handed to another page, so a poster printed last year still leads where it should. And the entitlement is read on every visit rather than at save time: stop paying for the add-on and the mark is back on the page the same day, without anybody having touched its contents. Your colors are kept for when you return.
It is in every plan, and what happens if you stop paying
The page is in every plan of all three audiences, and moving down a tier does not take it away. It is one of the two things in the product you can say that about without qualification, and it is built that way deliberately: a public page that vanishes because its owner changed plan is a broken link in a hundred other people's profiles.
What does need saying plainly is that there is no free plan here. A workspace whose trial ends unpaid, or whose subscription lapses past the grace period, is locked entirely: read only and its connected accounts released. The link page keeps being served: it does not depend on billing, only on the brand existing and the page being live. The data and the history stay and return the day it is paid for; the Drive and media library files are deleted fourteen days later, with two warnings first. It is not a free floor and calling it one would be a lie. What each tier includes and where the Pro add-on sits is on the pricing page, which shows the catalogue live.