Buffer schedules very well and stops there. The difference is not the calendar, which both tools solve, but everything that appears once the piece stops being yours: a sign off from your team or the client, an inbox that carries comments and reviews, and a monthly report nobody has to assemble by hand on the third of the month.
The exact point where a scheduler runs out
Scheduling posts is a solved problem. Buffer solves it, half a dozen other tools solve it, and each network's own app solves it too, with less grace. Choosing a tool by the quality of its calendar is like choosing a car by the steering wheel.
The real problem arrives the day the piece you are scheduling is not yours. Until then a post's journey has one step: you write it and you schedule it. After that it has five, and four of them do not happen inside a calendar at all.
| Buffer | GoFeed | |
|---|---|---|
| Calendar and scheduling | Yes | Yes, on fourteen networks |
| The pricing unit | Per connected channel | Per workspace |
| Internal review before publishing | Yes, on the Team plan | Yes, in agency and in house workspaces |
| Client approval from their own portal | No | Yes, in agency workspaces |
| Inbox with messages and comments | A separate tool | Yes, in the same account |
| Google Business reviews in that inbox | No | Yes, as their own item kind |
| Monthly report that sends itself | No | Yes, in agency workspaces |
| Quotes and invoices with your own series | No | Yes, in agency workspaces |
The left hand rows come from Buffer's own public pages. This comparison is not about Buffer missing things: it is about Buffer having decided to do one thing and not the others, and that decision is what you have to hold up against your own work.
What Buffer costs today
The model is per connected channel, an unusual unit and a very easy one to forecast for as long as the number of channels stays small.
| Plan | Per month | Per year | Channels included |
|---|---|---|---|
| Free | $0 | $0 | Up to 3 |
| Essentials | $5 per channel | $60 per channel | 1 to start |
| Team | $10 per channel | $120 per channel | 1 to start |
Prices checked on 6 September 2026: Buffer.
The page makes two points worth holding on to. The first is that you pay per channel rather than per brand or per client, so one brand on Instagram, Facebook, LinkedIn and TikTok is four channels, not one. The second is that from the eleventh channel onwards the per channel rate drops, which is an implicit admission that the model gets expensive as you grow.
Run the numbers with four clients on four networks each. That is 16 channels, and approvals require the Team plan, so the invoice approaches 160 dollars a month before volume discounts. That is not an outrageous price for what it does. What is interesting is that at that volume of work you already have three or four other subscriptions around it, and that is the sum almost nobody does: it is in the stack cost guide.
The four things that appear once there is a third party
When the piece passes through other hands, the work stops being production and becomes coordination. There are four concrete things and none of them is optional once you charge for the work.
The internal review. Somebody on your team looks at the piece before it goes out. It is the cheap check, the one that catches the obvious mistake, and Buffer has it on its Team plan.
The client approval. This is not one more permission. The client signs into their portal, sees exactly what is going to be published, and either approves it or sends it back with a comment attached to the piece itself. A rejected post returns to the calendar carrying the reason, rather than to an email nobody can find three weeks later. In GoFeed the two are not stacked: with approval on for a client, one yes is enough, your team's from the app or the client's from their portal, whichever comes first; with it off, posts are scheduled straight away. The portal belongs to agency workspaces. An in house team has no third party to sign off, so each post waits for one teammate. A solo creator gets neither, which is correct: approving your own work is a form, not a control. The whole chain is in the content approvals guide.
The reply. Publishing generates conversation, and conversation does not fit in a calendar.
The report. On the third of every month somebody has to say what happened, and if that somebody opens five dashboards and copies numbers into a spreadsheet, the report costs half a working day per client per month. Times four clients, that is two days a month spent retyping figures that already exist, and it is the first job abandoned when the month goes badly. The client then sees nothing, stops understanding what they pay for, and that is the awkward conversation at renewal.
None of the four is a feature you can bolt onto a calendar later. All four change where the information lives, which is why a tool that does them is shaped differently from day one.
The inbox is not a scheduling feature
Here is the least obvious difference in the whole comparison, and the one that changes the working day the most. The inbox treats messages, comments and reviews as three kinds of the same object, so a Google Business review lands in the same thread list as an Instagram DM and is answered from the same place. For a local business that means no longer keeping two inboxes that nobody watches equally.
There is a clock on top of it. A message is marked overdue at 24 hours, which is the window Meta itself imposes for replying outside a template. That is not an internal convention, it is the platform's real limit. And one detail worth knowing before you promise it to a client: outbound attachments work on Instagram, Facebook, Telegram and WhatsApp, and on every other network the reply goes out as text.
Per network analytics are available to everyone, with the aggregation rule documented metric by metric. The monthly PDF report that generates and sends itself is a separate thing, and worth saying plainly: it is an agency workspace feature.
Everything in this article happens in one place in GoFeed.
Try it freeHow each one is paid for
Buffer charges per connected channel and the price grows with the number of profiles. Here the price is per workspace: the limits belong to the whole workspace, so adding a teammate uses the member quota rather than opening a new subscription. Prices are net of IVA, the value added tax charged in Spain, there is no lock in, and nothing is charged per post.
There are five quotas and only one of them is soft. Four are hard ceilings: members, storage, connected social accounts and ad accounts. The fifth is the contacts reached by the DM automation, where nothing is blocked at the limit and the excess is billed per contact instead. The current figures live on the pricing page, which reads the live catalogue.
The trial runs fourteen days on a card that is not charged until day 15, with one brand, one connected account and a ceiling of ten posts that does not reset. When it ends the workspace is not deleted: it drops to a free floor where connected social accounts go to zero and the data stays put. That is not a free plan, and calling it one would be a lie. If what you want is a wider menu of options, it is in the Buffer alternatives round up.
What Buffer does better
Three things, and the first one is large.
The free plan. Three channels, one user, no expiry date and no card. It has been generous for years and there is nothing like it here: there is a fourteen day trial and then a floor designed to avoid losing a lapsed workspace's data, which is a different thing. If you post to three networks for yourself, Buffer wins that conversation outright.
Simplicity. Buffer is learned in ten minutes and its editor is faster for one person posting in three places. Every feature a tool adds is a decision somebody has to make, and a product with fourteen networks, a portal, approvals and invoicing necessarily carries more surface than one that schedules. If your problem is scheduling, this is more tool than you need.
The entry price per channel. Five dollars a month for one channel is hard to beat for somebody starting out who wants a single network done properly without committing to anything. And because the price is per channel, you can switch a channel off and stop paying for it the same month, without calling anybody and without renegotiating a whole plan, which is real flexibility rather than a marketing concession.
The dividing line is clean and needs no decoration. If there is nobody between you and the publish button, a scheduler covers everything you do. If between you and that button there is a client who has to say yes, a place they sign into to look, and an invoice that goes out afterwards under your own number series and your own VAT rate, then the calendar is the easy part of the problem. How that chain is assembled is on the calendar and publishing page.